Movie Review: The Neon Demon


The Neon Demon

Directed By:

Nicolas Winding Refn

Written By:

Nicolas Winding Refn


Elle Fanning, Jena Malone, Abbey Lee


“When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will use any means necessary to get what she has in this horror thriller from Nicolas Winding Refn.”

The Skinny:

I’ll get right to the point: Refn’s erotic thriller (And it is a thriller. Yes, there are horror elements, but they’re fleeting), The Neon Demon is his weakest film in an otherwise impressive filmography. Now, with that being said, Refn’s worst is still 90% better than just about everything being released into theaters.

The Neon Demon is deeply atmospheric (Perhaps too much so?), and like the much maligned, Only God Forgives (Which I consider to be one of Refn’s best films), it is a love letter to David Lynch and his films such as Lost Highway and Mulholland Drive.

As with all Refn films, The Neon Demon is visually stunning and is like a living, breathing surrealist masterpiece. The problem is that most of the characters are just as two dimensional. There’s no meat to their actions, all style and no substance. But maybe this is the effect that Refn was going for? Young women obsessed with only two things: Beauty and how to make money from that beauty.

I can’t say I would recommend The Neon Demon to the casual viewer (Just move along, casual viewer, go find some super hero movie to occupy your time with.), but if you’re a fan of Refn’s films or enjoy subtlety crafted horror thrillers, it’ll be right up your alley.

Morning Soundtrack:

Wilco Schmilco By Wilco

The New Mad Max Looks Shitty

There’s no easy way to say this, because I like all of the actors involved, and I absolutely love The Mad_Max_Fury_Road_posterRoad Warrior and Mad Max: Beyond Thunderdome. But Mad Max: Fury Road looks like 200,000 pounds of runny shit.  George Miller should’ve left the franchise alone and should’ve just moved onto another project.

Here’s the other thing that bugs me: Did we really need another Mad Max? I mean, I get it, my generation–the generation this movie is being sold to–is all about nostalgia. We like the things from our childhoods, they give us comfort and that’s great. But come on, this thing looks worse than the Transformer and GI Joe movies combined.

Anyway, the newly released trailer is below along with the trailer that debuted at the 2014 San Diego Comic-Con, and you decide.

Kind Of A Movie Review—Nightcrawler



Mrs. Rawson and I went to Dan Gilroy’s directorial debut, Nightcrawler, on Saturday. Here are a few random impressions.

1) “If you want to win the lottery, you have to earn the money to pay for the ticket.”

2) I’ll flat out say it: After Zodiac, End of Watch, Prisoners, Enemy (Seriously, if you haven’t seen it yet, watch it), and now Nightcrawler, Jake Gyllenhaal is my favorite actor. As far as I’m concerned, he is the go to guy for crime films.

3) Louis Bloom, holy shit is this guy creepy. He vibes like Rain Man, but Rain Man with serious personality disorders. And by personality disorder, I mean he would stab you in the neck.

4) In the opening scene of the film, Lou is caught snipping at a chainlink fence with wire cutters. He’s stopped by a rental cop. At first, Lou is very amicable with the guard. With the flashlight beam right in his eyes, he can’t tell if the man shinning it is a cop or not? Once he gets a look at the man’s uniform, though, Lou pounces. In the next scene, Lou is wearing the security guard’s wrist watch. The audience doesn’t know if Lou has killed the guard or simply beat him up and robbed him?

5) He killed him.

6) Two of my favorite character actors are Bill Paxton and Rene Russo. It’s a pleasure for me to see them act even if they only seem to play various versions of themselves from other films.

7) I’ll just cut to the chase: Nightcrawler is my favorite film of 2014. No ifs, ands, or buts about it. I guess you can skip the rest of this review if that’s all you care about hearing.

8) There isn’t a single likable character in Nightcrawler. Seriously, everyone in it is a bottom dweller. They’re the parasites of society, and it’s the reason why I like the film so much, because no Hollywood film seems to get made without at least one character you can root for.

9) Nightcrawler’s director, Dan Gilroy, must have some major fucking juice to get this one made, and god bless him for getting it made.

10) Lou’s “intern” isn’t likable. So if you’ve seen the film, and you’re saying to yourself: What about the intern, he seemed nice. He wasn’t, the dude was a scumbag, Gilroy just didn’t expand of the character so we could see his scumbaggery.

11) I had no idea there were guys like Lou and Bill Paxton’s character, Joe Loder, out in the world. I always thought news stations simply had camera crews they would send out when an accident or a murder occurred.

12) Lou witnesses an accident one night and sees Loder’s van and crew filming the scene. Lou being the morbid, industrious type asks Loder for a job. Loder tells him to fuck off. Lou steals a bicycle the next day, pawns it, and buys his own camera equipment. Lou loves competition and hates being told no.

13) Rene Russo’s character, Nina Romina, is just as much of a scumbag as Lou. She’s a driven career woman who’s in a career dominated by much younger women. She’s constantly fighting for her jobs. When she meets Lou and views his footage, she sees him as an opportunity, as a way to advance her career. Lou sees her in the same light. Nina thinks she has the upper hand the entire time. She doesn’t.

14) The first act of the film is the slowest. It drags a bit as Gilroy establishes his characters and their roles. This isn’t  by any means a criticism, because Gilroy more than makes up for it in the second and third acts.

15) Second act begins with Loder approaching Lou about teaming up and letting Lou head up his second team. Lou says no. Loder gets pissy, tells Lou to fuck off again. Lou smirks, but then Loder starts beating him to crime scenes. Lou evens the odds by cutting the break lines to Loder’s vans.

16) Second act highlights: Lou pressures Nina into a sexual relationship by threatening to take his footage to other stations and he beats the police to the scene of a home invasion and films the entire thing without the cops present, including the perpetrators and their vehicle.  He sells it to Nina’s station for 15 grand and doesn’t give any of it to the police.

17) “What if I were to tell you that I am the way I am not because I don’t understand people, but because I don’t like them …”

18) In a lesser film, the filming of the home invasion would be the highlight. Nope, not in the case of Nightcrawler. All the home invasion is is lead in for the third act, which is pure fucking dynamite.

19) Here’s the point in the review where I say if you like James Elroy and Jim Thompson or movies like Taxi Driver or Springbreakers, you should go see Nightcrawler. I’m not saying that this time. Even if you don’t like Ellroy, or Thompson, or Taxi Driver, go see this movie.

20) I usually do the spoiler thing here. Nope, not doing that this time either. The third act is just too good to ruin. Go see the movie.

Kind Of A Movie/Book Review—The Drop By Dennis Lehane


I saw The Drop with Mrs. Rawson yesterday (The first time I’ve actually gone to a theater to see a film in awhile.) and I read the novel earlier in the month. So, I figured instead of writing two separate reviews, I’d offer up some dual, random impressions about both.

1) First off, Lehane wrote both the screenplay and the novel, which I think is cool. I also wonder how difficult the process was for Lehane? Did he write the book first or the screenplay? Did he write them simultaneously, or was the novel an afterthought? Either way, both were great pieces of storytelling.

2) In case you didn’t know, the screenplay and the novel are based off of Lehane’s excellent short story, “Animal Rescue” and appeared originally in the anthology, Boston Noir. It’s an excellent piece of writing in an anthology overflowing with excellent stories. Yeah, Boston Noir is still the best entry in Akashic’s “Noir” anthology series.

3) Yeah, I know most of the people reading this have already read the story.

4) What’s the deal with no one wanting to film in Boston? The novel takes place in Boston, but the movie takes place in Brooklyn. This seems to be happening more and more often. Example: Killing Them Softly (What killed that movie for me was the pointless political subtext and the subpar soundtrack. I mean, come on, is there anything more cliche than a couple of junkies shooting up to the Velvet Underground’s “Heroin”? But I digress.), the underrated adaptation of George V. Higgins, Cogan’s Trade, was filmed in New Orleans, but the novel is set in Boston. Is Massachusetts making it too expensive to film in Boston, or are filmmakers nixing the idea because the city is starting to look more and more like a high end WASP theme park as opposed to a city?

5) Love him or hate him, you have to acknowledge that Tom Hardy is the best actor of his generation. The man crafts his characters seamlessly, sinking into them, becoming them, and his accent work easily rivals Gary Oldman. Okay, maybe he doesn’t rival Oldman (Mostly because of his massive filmography), but Hardy’s pretty damn brilliant.

6) Bob Saginowski is a great character. Humble, emotionally stunted, a child wearing a mans skin. In the novel, I never once pictured him as Tom Hardy. I pictured him as a much taller man, sloped shoulders, trying to make himself smaller than he actually is. Hardy does the same, but let’s face it, the dude’s pretty short, so he didn’t really have to try very hard at making himself smaller.

7) I miss James Gandolfini.

8) Lehane typically lets his end of story plot twists slip within the first 20-to-50 pages of every novel he’s ever written. This isn’t a complaint by any means, because when I read Lehane, I’m along for the ride. I want to know about the people he’s writing about, their backstories and how they’ve ended up in their various lots in life, so I could give a shit about the ending (This is most novels and films for me, though.). Besides, almost every crime writer of Lehane’s generation—Pelecanos, Connelly, Lippman, etc.—all of them do it. Or maybe I’ve been reading them all so long I just know what to expect?

9) Matthias Schoenaerts was a great choice for the nut job antagonist, Eric Deeds. In the novel, I pictured Eric as being much shorter and slighter than Schoenaerts. Schoenaerts is at least 6’3, but in the novel, Deeds has the whole little man syndrome going on. You know, a short little shit with a huge chip on his shoulder.  But, fuck, Schoenaerts has got the crazy eye dread thing going on and he sent chills down my spine every time he was on the screen, so I brushed off the difference just like I brushed off Hardy as Saginowski. Deeds was my favorite character in the film.

10) The only American novelist better than Lehane at writing character is Stephen King, which is what I kind of found disheartening about the film, the lack of character building. Yeah, I know movies and novels are two completely different beasts and you can only pack so much into a 90 minute film. But where were the character motivations? This is my biggest complaint about the film. But then again, this is a complaint I have about movies in general: They’re either too long, or not long enough. In the case of The Drop, it needed more time than its 90 minute run time.

11) There’s a great scene in the novel when Deeds gets out of prison in South Carolina and he goes to visit his prison protector/rapist on the outside which really provides the most insight into Deeds. He comes over to pick up a kilo of heroin, the rapist screws him over on the deal, so Deed kills him along with two other people and burns the house down without recovering the smack. Stone fucking cold killer. By the way, Deeds was also my favorite character in the novel.

12) People who don’t like, or hurt dogs, scare me. It’s like there’s a piece of them is missing, which is also what made Deeds so goddamn menacing. He beat a puppy and left it for dead in a trash barrel without a second thought, that’s as cold as it comes in my book.

13) If I had it my way, I would put Ann Dowd in every film ever, I really love her even when she only has a few scenes in a film.

14) Bob Saginowski finding and taking in the dog is also what makes him so endearing. It was like when he found the puppy, he found the missing piece of himself. The piece which gave him a confidence and humanity he was somehow missing. By the way, here’s a small spoiler, Saginowski is twice the stone cold killer Deeds is. In fact, they’re pretty much the same person, the main difference being that Bob is way, way smarter than Deeds and far more humane.

15) “They never see you coming, do they?”

16) I really like Noomi Rapace, but I have to admit I didn’t really picture her as Nadia while reading the book. I pictured Nadia as being played by Naomi Watts. But then again, ever since 28 Grams and Eastern Promises, I tend to picture most 30-to-40-year-old female novel characters being played by Naomi Watts. Watts is who Mrs. Rawson would describe as my movie star “girlfriend”.

17) So, should you see The Drop? Yes, you should, because outside of Locke(another excellent Tom Hardy vehicle, and one I hope he receives a few award nominations for) and Snowpiercer, it’s my favorite film of 2014, and the type of film I wish was more widely released in U.S. theaters. It’s atmospheric, character driven (albeit not enough character.), beautifully filmed, and packed with stellar performances from the entire cast, but particularly from Hardy and Matthias Schoenaerts.

18) And should you read The Drop? Big yes on this one. Lehane is legitimately one of our best novelists, and not just best crime novelist, either. The novel has the feel of a Fawcett-Gold Medal pulp novel, but with outstanding character development. Because The Drop is a standalone novel (Outside of Mystic Riverand Shutter Island, it’s the only non-series novel Lehane’s written.), it’s a great stepping off point for new readers. Plus, it is very much a read in one sitting kind of book. Highly recommended.

Kind of a Movie Review—Small Apartments



I re-watched (I watched it originally with Mrs. Rawson and a friend visiting from New Hampshire about a year ago.) Small Apartments by Swedish director Jonas Åkerlund last night. Here are some quick impressions.

1) Mustard and deli pickles, who the fuck eats that?

2) James Cann!

3) Our lead, Franklin (Played by Matt Lucas), is what a slug would look like if a slug became a human being and spent his days eating deli pickles covered in mustard and drinking Moxie orange soda.

4) “Sanity is wasted on the sane.”

5) Johnny Knoxville has zero skill as an actor. He’s the Jackass guy. He makes shit tons of money being the Jackass guy. When he’s not being the Jackass guy, he makes movies like Small Apartments and Grand Theft Parsons, so I’m a Johnny Knoxville fan despite his lack of acting ability.

6) Franklin talks to his dog, and, yes, the dog talks back with an Oxford bred accent. That’s Oxford, England, not Oxford, Mississippi.

7) Small Apartments is the kind of comedy David Lynch would make if he made screwball noir comedies.

8) Franklin imagining that he’s cutting up his landlord into little pieces with a hacksaw so he can dispose of his body is the best sight gag in a movie chock full of gruesome sight gags.

9) David Lynch fans are always looking for the next David Lynch because we love his movies and miss that he’s not making them anymore.

10) Rebel Wilson can’t act, either. But she’s likable and can deliver great one-liners better than any comedic actress currently working.

11) “I’m on a forty day cleanse to rid myself of my herpes.”

12) I wonder if comedic actors ever get tired of being called comedic actors?

13) By the way, guys, it’s okay to admit you liked Pitch Perfect.  it’s a fun little movie, so you don’t have to preface it by saying I liked Pitch Perfect because of Rebel Wilson.

14) Need an actress to play white trash or a wannabe hooker-with-a-heart-gold? Then by all means call Juno Temple. Juno Temple is going to be the next Julia Roberts.

15) James Marsden plays Franklin’s brother, Bernard. Bernard gets headaches and is insane. Bernard is institutionalized and sends Franklin audiotapes of his ravings and toenail clippings on a daily basis. Barnard stops sending the tapes and clippings, so the heart of the movie becomes about what the fuck has happened to Bernard?

16) Billy Crystal plays a creepy fire marshal who pretends to talk to his ex-wife on his cell phone. It’s refreshing to see Billy Crystal curse and drink bourbon the second he rolls out of bed instead of just playing a mensch.

17) Franklin’s dog chews on the severed big toe of his landlord throughout the entire movie. Like I said, the film is full of gruesome sight gags.

18) If you need someone to play a creepy landlord who accepts blowjobs from his male tenants in lieu of rent, make sure to call Peter Stomare. For those of you who don’t know who Peter Stomare is, he’s the mute hitman from Fargo.

19) Despite the semi-vicious nature of the film, there are moments where Åkerlund spotlights the tenderness of human beings. Such as a scene where an intimidating looking Latino man walking his equally intimidating pitbull stops to give Franklin lessons on how to drive stick shift.

20) Rosie Perez’ cameo is equally as humane.

21) Shocker, David Koechner has a role in this. If you don’t know who Koechner is, you haven’t watched a movie in the past ten years.

22) Saddest point in the movie is when Franklin gets mugged by two tweaked out thugs. Franklin is wearing nothing but his winter coat, tighty whities, and knee high socks. He gets the shit kicked out of him.

23) If I wrote movies, Small Apartments would be the type of movie I would write. Chances are I would starve if I wrote movies for a living.

24) Dolph Lungren plays a self-help huckster in Small Apartments and I totally buy this, and just not as a movie role. I imagine the man would be a natural as an Amway salesman.

25) Bernard wasn’t insane, Bernard had a brain tumor. Had.

26) Outside of Franklin, you never really develop an emotional connection with any of the other characters, this is a huge flaw when it comes to an ensemble film.

27) Here’s a spoiler, everyone but Franklin and Billy Crystal’s character dies. It’s a little sad, but like I said, no emotional investment.

28) So should you watch Small Apartments? If you like DARK, kind of dumb/smart comedies, this one is going to be right up your alley.

29) Alpenhorns are weird.

Kind Of A Movie Review—Blue Ruin

tumblr_inline_nb6gwz7PIr1r5pisdI watched indie cinematographer Jeremy Saulnier’s award-winning revenge flick, Blue Ruin, with Mrs. Rawson last night. Here are some quick impressions.

1) The protagonist, Dwight, is a nothing of a human being. He exists entirely below the surface of every day life. He lives is his car on a beach in Maryland, scavenges bottles and cans for money, eats out of the dumpsters of the local beach boardwalk carnival. He isn’t happy or sad. He isn’t damaged, he just wants to be invisible.

2) Mrs. Rawson has had a rather unsubstantiated fear of vagabonds occupying our house while we’re at work, or on vacation (She saw a report on 20/20 or Dateline about a couple of gutter punk kids doing this.). At the beginning of the film, Dwight is almost caught doing just that. He’s taking a bath in a weekend home and the family walks in as he’s easing back for a long soak. He kicks out the bathroom window just as they’re coming through the front door. After seeing this, Mrs. Rawson turned to me and said, “See, that’s why I lock the garage door when we go out.” It gave me a chuckle.

3) Dwight’s told by a local policewoman, who obviously knows Dwight and his situation, that the man who killed his parents is going to be released from prison. I found the scene when she’s telling him touching. The scene made me wonder if there are cops like this out there in the real world? Cops who know the local homeless population and more or less try to keep and eye on them?

4) Yeah, I know, it’s just a fucking movie.

5) Dwight’s ready to roll once he finds out the news. Big problem, how does he kill the guy once he finally makes it back to Virginia? He doesn’t have enough money to buy a gun, and the one he steals has a trigger lock. So, any port in a storm, might as well use his fishing knife.

6) Genius plot point in the film I completely fucked up for you with point #3 is that you don’t know until midway through the film that it was Dwight’s parents who were killed. You’re more or less left to your own devices to figure that out. Was it Dwight’s wife and her best friend? His kids? Who? Obviously the murders have wiped Dwight’s head completely clean of any desire to exist.  But ask yourself this: Would you really want to hatch a bloodthirsty plan of revenge over your folks?

7)I could forgive you if you were crazy. But you’re not, you’re just weird.”

8) Yup, Dwight’s just weird. But then again, it seems that his parents deaths occurred when he was a teenager, so maybe their deaths hold a greater significance to him because of his age?

9) The murderer’s family picks up the con from prison in a mid-90’s, two tone Cadillac limousine. Something about the car just screams white trash and you all probably deserve what you’ve got coming.

10) I’m convinced every director should be a cinematographer first before they’re allowed to make their first feature film. Seriously, the muted colors and use of natural lighting provide a stunning effect and is a fine departure from how most commercial films look these days.

11) Has anyone else noticed that most films look like 80’s TV movies, but with insane amounts of money spent on costumes and props?

12) The murderer’s, Wade Cleland, death scene was a thing of beauty. It was clumsy, sloppy, full of rage and misgivings. It’s how a murder scene should be filmed.

13) Dwight loses his car keys during the struggle with the murderer and ends up stealing the limo to get away. He has no idea that there’s someone still inside the car. When Dwight hears banging on the privacy window, he pulls over the car (which he has to do anyway because he slashed one of the tires of the limo on his way out to the car.) and lets the person out. It’s a teenage boy, the youngest member of the Wade’s family, and he’s my favorite character outside of Dwight.

14) The Cleland family doesn’t call the cops on Dwight, they let him walk away. They decide to handle the problem of Dwight “in house”. Yeah, these people are scary ass rednecks.

15) Blah blah blah Kickstarter, blah blah blah.

16) Dwight takes a crossbow bolt to the leg when the family makes their first run at him. He spends the next 15 minutes of the film trying to get it out on his own. These scenes are absolutely gut wrenching to watch, and I thought they were a little gratuitous and unnecessarily gory while I was watching them. But now that I’ve had some time and distance, I realize they weren’t at all. Movies tend to paint over character injuries, filmmakers shrug them off. Getting shot with an arrow—hell, getting shot with a pellet gun—hurts, so why not show the effects of the injury?

17) We really do make too big of a deal out of when a Kickstarter campaign actually makes something worthwhile. The reason being is because 50% of Kickstarter campaigns are being run by talentless lowlifes. But the other 50%, well, they’re run by people who’re usually offering up some genius level shit, unfortunately we tend to focus on the shysters.

18) Dwight turns to his high school best friend, Ben Gaffney, for help when he realizes he’s going to need more than a fishing knife to go after the rest of the Cleland family. Ben’s a gun nut. When you’re going on a blood thirsty rampage, it’s good to have a buddy who’s really into guns.

19) Ben warns Dwight not to make any speeches when he’s getting ready to take down the Cleland’s: “Just point and shoot.” Dwight, of course, doesn’t heed his advise.

20) The final confrontation between Dwight and the Cleland’s is intense. The snarling presence of Hope Cleland—played by indie actress, Stacy Rock—sums up the Cleland clan perfectly: They’re rabid dogs who needed to be put down a long time ago.

21) So should you watch Blue Ruin? If you’re the type of movie watcher who thinks the epileptic seizure fests of J.J. Abrams and Joss Whedon are the end-all-be-all of filmmaking, you’re probably not going to be into it. But if you dig the Coen brothers or Jeff Nichols, you’ll love it.

22) Reading through this, I guess I probably should’ve given you a “spoiler” warning at the beginning of this, but fuck it, you should be along for the ride when it comes to books and movies.